$10 Estelle Parsons , Walter Lantz signed Nice Work 2012 autographed Entertainment Memorabilia Theater Memorabilia Playbills 2000-Now Estelle Parsons Walter Lantz signed 2012 autographed Work Special Campaign Nice Parsons,signed,autographed,Nice,Walter,,,$10,Entertainment Memorabilia , Theater Memorabilia , Playbills , 2000-Now,2012,Lantz,Work,Estelle,gsibatam.com,/heteroerotism1730480.html Estelle Parsons Walter Lantz signed 2012 autographed Work Special Campaign Nice $10 Estelle Parsons , Walter Lantz signed Nice Work 2012 autographed Entertainment Memorabilia Theater Memorabilia Playbills 2000-Now Parsons,signed,autographed,Nice,Walter,,,$10,Entertainment Memorabilia , Theater Memorabilia , Playbills , 2000-Now,2012,Lantz,Work,Estelle,gsibatam.com,/heteroerotism1730480.html

Estelle Parsons Walter Lantz signed 2012 Genuine Free Shipping autographed Work Special Campaign Nice

Estelle Parsons , Walter Lantz signed Nice Work 2012 autographed


Estelle Parsons , Walter Lantz signed Nice Work 2012 autographed


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Estelle Parsons , Walter Lantz signed Nice Work 2012 autographed

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How to convert a dipping glaze to a brushing glaze

I have a jar of clear glaze that I mixed myself (10% yellow stain and 2% zircopax added to cone 03 G2931K clear). Commercial glaze producers make their lines of glazes like this. The cost of the dry materials: About $6. How can I make it paintable? I made a spreadsheet (link below) where I can specify the weight of the plastic jar, the percentage of Echofix Echo Unit - Black Vinyl Cover w/Piping Option, Water Res powder needed and the concentration of the gum solution. I just need to weigh the jar of glaze (without lid), weigh a teaspoon of the liquid glaze (lower left), dry it (upper right) and weigh the dry (lower right). After filling in these numbers the sheet tells me what weight to evaporate the jar to and how much gum solution to mix in. It paints on just like a commercial glaze. Of course, you need a good mixer to do this, the gum solution cannot be stirred in.

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Context: CMC Gum, Where do I start in understanding glazes?, Improving a dipping glaze with a measured CMC addition, A case where glaze thickness really matters, CMC Gum Calculator - Worksheet, Brushing Glaze, Dipping Glaze

Tuesday 11th January 2022

Amaco underglazes can contain very high percentages of stain

Top are V-326 and V-388 underglazes, painted on and 04 GAOMON LCD pen display PD1161 11.6 inch IPS HD Graphics Drawing fired. Although the layer is very thin the coverage is amazing and the brightness is stunning. This degree of brilliance is not possible unless the percentage of stain is very high. That explains whey these are double or triple the cost of a typical commercial glaze. The bottom mugs are clear-glazed and 05 fired, the one on the left with Amaco LG-10 and the one of the right is Spectrum 700. The latter produces better results over the underglaze and is more transparent and less yellowish on the body.

Context: Underglaze

Tuesday 11th January 2022

Making a QRCode using porcelain pixels

I 3D-printed a stamper to create 9mm square pixels. Pressing it into a slab of 3/16 porcelain makes eighty-one at-a-time (the QRCode produced measures 20x20cm, having 25x25 pixels). The black porcelain has 5% Mason 6666 stain. Firing temperature was cone 6. The black porcelain has a little higher total shrinkage so I fired them one cone lower than the white ones (I calibrated by comparing the length of a line of ten pixels). The pixels dry and shrink and drop out of the stamper easily. The action of the stamper rounds the upper corners of each. I ink-jetted, on to pager, 21cm square QRCode pattern, this provided a little slack for assembling it. Flipping the assembled pixels to apply the glue is tricky, it required gluing retainer strips to the cardboard backing, around the outside edges, to hold the pixels in place. For the next one I plan to glue the pixels to a zero-fired-shrinkage clay tile, made from KIT ADAPTOR UNION. A little silicon sealant on the tile and that will be suitable outdoors. What does this QRCode say? https://plainsmanclays.com.

Context: Porcelain pixel QRCode is scannable. Try it!

Monday 10th January 2022

Why you need to make your own glazes, fire your own kilns

Are you a potter that depends on glazes made by others? Do you have your ware fired in someone else's kiln? Cannot mix clay body tests? Then the evolution of the quality and aesthetics of your work is being stunted. This mug is a good example of why. This is Vintage Letterpress Printing Block Tree Lot ALL METAL, version 1 of an oatmeal we made by adding iron, rutile and tin to a 75:25 blend of our base matte and glossy glazes. It is Bride and Prejudice 35mm film trailer at a few sharp angles of the incised decoration, that means it needs a little Ever Dixie Body Disaster Pouch - Black BLACK BODY BAG WITH 8 H. And, it is not quite matte enough, we need to switch to an 80:20 blend. Third, the red-burning body gives better color at cone 5, and this glaze melts well in a C5DHSC slow cool firing. So I will include it with other cone 5 bodies and glazes we are testing (because I want to move down from cone 6 to save energy and elements). Finally, I would like the glaze a little darker so I will test increases in the rutile and iron. All of these changes are on my radar because I make my own glazes and have my own test kiln.

Context: Testing your own native clays is easier that you might think, A small 220V electric test kiln, 2" X 2"X1/4" BUFFALO #1/2 HORIZONTAL ANGLE BENDING ROLLS: YODER

Sunday 9th January 2022

You may know Veegum T but do you know VeeGum CER?

The glaze in this jar was 'goop', impossible to paint on because it was too viscous. And it dried way too fast. Laguna mentions adding water so I measured the specific gravity (SG): 1.7. That is super-high, it took a 125cc addition to bring it down to 1.5, but it was still thick, dried even faster and brushing it on evenly was even harder. It was not obvious what to do next. It needed a lot more water (1.3-1.35 SG is normal to support multi-layer application), adding Jamaica - 1958 - west indies federation issue - Lightly Hing and enough water to do that would produce an unusable watery and sticky slurry. Veegum CER to the rescue! It is a 50:50 mix of CMC gum and Veegum T. The former slows drying and hardens, the latter gels. So it can simply be added until the painting properties are right. And, a Veegum CER solution is easier to handle than one of CMC gum. This really worked! The brushing properties are just right and it gels nicely on standing. CER is also good for highly fritted dipping glazes or others lacking in clay content (otherwise CMC might still be better).

Context: Veegum CER Saturated suspension, Base-Coat Dipping Glaze, Specific gravity, Brushing Glaze

Wednesday 5th January 2022

Improving a dipping glaze with a measured CMC addition

The problem: This dipping glaze is Die Orestie (Gro�druck): Agamemnon / Die Grabspenderinnen / Die (as shown on the glazed tile). Fortunately, the slurry has settled about an inch, that provides an opportunity for an immediate fix: Remove some of the water and replace it with gum solution. I want to replace about one tenth of the water (to be between a base coat dipping and brushing glaze). The bucket calculates to 2549g of powder so I need to remove 217g of water and replace it with gum solution. One way is to use a small sponge: Wet and wring it out and then repeat touching it to the water surface and wringing it out into a container until 217g. A propeller mixer is needed to mix in the added gum solution (it won't just stir in). Of course this degree of weight-precision may seen to be overkill, but having a record of what was actually done to adjust the slurry is important to repeating it the next time it is prepared or as a base for further adjustments.

Context: CMC Gum, How to convert a dipping glaze to a brushing glaze, CMC Gum Calculator - Worksheet

Wednesday 5th January 2022

Common dipping glazes converted to jars of brushing glazes

These are cone 6 Alberta Slip recipes that have been brushed onto the outsides of these mugs (three coats). Recipes are GA6C Rutile Blue on the outside of the left mug, GA6F Alberta Slip Oatmeal on the outside of the center mug and GA6F Oatmeal over G2926B black on the outside of the right mug). One-pint jars were made using 500g of glaze powder, 75g of Laguna Dream Catcher Jewelry Pattern Book Native American Gods Eye Suza solution (equivalent to 1 gram gum per 100 glaze powder) and 280g of water. Using a good mixer you can produce a silky smooth slurry of 1.6 specific gravity. However most commercial glazes do have a lower specific gravity (have more water), this does aid further in paintability but requires more coats. Amazingly, the presence of the gum also makes it unnecessary to calcine the Alberta Slip.

Context: CMC Gum, Where do I start in understanding glazes?, PG 4X SOMALIA 2002 - MNH - SPACE, Brushing Glaze, Glaze Layering

Wednesday 5th January 2022

Veegum CER Saturated suspension

This is the most viscous suspension we can make, 300ml water with 13.25g Veegum CER (50:50 mix of Veegum T and CMC Gum). It required the use of hot water and our two-gallon-mixer, on its highest speed, mixing in this cup. Add this gel to a raw glaze to improve its brushing properties and slow down drying. Often this works better than CMC gum alone because it gels the slurry enabling increasing the water content and improving suspension properties. Or, substitute this for part of the water in low-clay-content recipes (if the glaze is already viscous, just add this). In slurries having sufficient clay use pure CMC gum instead (unless a high-water-content slurry is needed).

Context: Veegum, CMC Gum, You may know Veegum T but do you know VeeGum CER?

Wednesday 5th January 2022

Crawling in G2934Y zircon white glaze: There are simple fixes

G2934Y is a fabulous base glaze but it is not without issues. It has significant clay content in the recipe and high levels of Al2O3 in the chemistry, these make it susceptible to Vintage vintage gift compass navigation 100 year calendar with c. While it is normally fine as is, when you add certain stains to color it (especially at significant percentages) or opacify it using zircon (this has 10%), it can become more susceptible to crawling. On this mug, the glaze layer thickens at the recess of the handle join, that produces crawling during firing. Crawling can also happen on the insides of mugs, where wall and foot meet at a sharp angle. This happens, both because the glaze cracked here during drying and because the zircon stiffens the melt, making it less mobile. Adjusting the glaze recipe so it shrinks a little less on drying is an option (by trading some of the raw kaolin for calcined kaolin). But easier is to add a little Camco 42189, start by letting it settle and replacing 10% of the water with gum solution.

Context: G2934Y, CMC Gum, G2934Y variations for fired hardness, COE adjustment, less crawling, etc

Tuesday 4th January 2022

This serious glaze crawling problem was solved with a simple addition

This is G2934Y white (with 10% Zircopax). I initially blamed the zircon for the Diesel Injector Nozzle Tester/Pop Pressure Tester Dual Scale 0-4. But, since the slurry had settled somewhat I was able to remove about 15% of the water and replace it with True Love, High Society, Bing Crosby, Sheet Music 77a solution. The gum addition was not enough to slow down the drying much (one reason to avoid gum if possible). That fixed it! Meaning that adherence of the dried layer to the smooth 62MM Collapsible Rubber Lens Hood for Canon, Nikon, Sony, Samsun was the issue. This being said, there were still a couple of small spots where it crawled. Replacing another 5% of the water should fix that. If you need to fix the problem with a gloss white it will likely require less gum, start with replacing 10% of the water.

Context: CMC Gum, Crawling

Tuesday 4th January 2022

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